painting | In The Eye Photograhy

Category archives: painting

The Artist–Rebecca Adler

I found Rebecca’s work in a west chester interior store and I loved it. I think we have something in common–our subjects are women.

1. How and when did you decide to be a painter?

I started painting about five years ago. I left my job in New York City as a magazine editor to stay home with my son and was in search of a new creative outlet after moving to the Philly suburbs. I’ve always loved art and interior design and thought why not? My sister was moving abroad and gave me some old paints she had lying around so I began to experiment.

2. Who were the artists inspired you most?

There are so many amazing artists on Instagram that inspired me to start painting–women that are professionally trained, self-taught, painting with a kid under one arm. I’m currently saving up for a Claire Johnson collage or a Rebecca Russo portrait or a Gee Gee Collins anything. I’m obsessed with Milton Avery’s use of color and patiently waiting for a nearby museum to give him an exhibit.

3. Do you work from life, photographs or from imagination?

I work from photographs to find poses for my figures and then let color and imagination take it from there.

4. Please tell us some of your considerations when using color in your work? what sort of paints do you put out on your palette?

Color makes me happy! Acrylic and oil pastel are my go-to mediums and I find a lot of pleasure just mixing paints on my palette. I love the way color creates a mood. A mark of fuchsia or indigo or chartreuse can totally transform a painting. Finding the perfect color composition is one of the most rewarding aspects of painting for me. In many ways I find the process similar to writing. It’s all about piecing together a puzzle.

5. what are you working on now?

I’m working on a still life commission for a friend’s new office and gearing up to try some different substrates like wood and unbleached linen.

TAGS: chestercounty, interview, malvern, pa, people, studio, west chester

People of Kennett Square–Hannah Kelleher

December 3, 2018 animal, art, artist, Coffee shop, Kennett Square, kennettsquare, painter, painting, people, peopleofksq, photographer, photography, portrait, project

How long have you been painting?

Coming from a family of creators and performers, I grew up with a love for all things creative. In high school, I was more drawn to music and performance but still dabbled in painting. Visual/fine art was something that I had always loved and when it came time to decide on a career path, the visual side took the lead. I went to Delaware College of Art and Design for my associates in Fine Arts and West Chester University to finish my bachelors. After that I was employed as a photography assistant for an auction house in Downingtown, I now currently work there as one of their lead photographers. Although I loved all of the creative formats that I had been allowed to experience, I felt like there was something else that I could use as an outlet, so I decided to play around with the idea of watercolor. But it wasn’t until I worked at Philter that I started painting as a freelance artist. The owner, Chris Thompson, allowed me to hang my work in the shop, which received an awesomely positive response and things continued grew from there.

How did you become interested in watercolor?

The funny thing is, I have always been more drawn to oil paints and heavier mediums. In school, I had a very heavy hand and loved high contrast and texture, so oils and charcoal were always my go-to. The love for watercolor came as quite a surprise. I fell in love with the way each layer influenced the next, allowing you to see a history beneath them. Its such a delicate medium, and I was always told how scary it was to use, so it was pretty intimidating when the time came to try it. I wanted to experiment one day, and after I painted my first goldfish, I fell in love with the medium. I’ve never been one to create clean and crisp work, which is something that is usually associated with watercolor. Through playing with it, I had realized that it was much more fun to make a mess. Watercolors are known to be hard to control, and with this knowledge, I’ve learned to let go of my own expectations through the process and allow it to have an active role in creating the piece as well. Why try to control something that can be so beautiful in it’s own right? That’s where the splashes and drips come in. 🙂 Though over the last 3 years, I have worked in a bigger format, moving to larger canvas pieces. This required a heavier paint to stick to the canvas, so a lot of my more recent pieces are done with acrylic in a watercolor style -which opens up a whole other world of playing and experimentation. But I must say that every time I go back to watercolor, my heart is re-stolen. It is a truly beautiful art form.

What attracts you the most–when looking for potential subject matter?

Painting is truly an outlet for me. So it really depends on my mood and whats happening in life, as cliche as it may sound, those things really do influence what kinds of works come to fruition. Sometimes when I’m not feeling anything in particular but have the need to create, colorful abstract pieces with come to mind. Most of the time my works consist of animals. I’ve always been an animal person, if I didn’t choose this career path, then it certainly would been one involved with fur friends. So I’d say that they influence my work quite a bit. I love the idea of the spirit animal. I feel like everyone has one that they connect with, so shedding light on that is always a fun adventure. I’m especially drawn to woodland creatures- foxes, wolves, and hawks are some of my favorite subjects. They’re pretty independent creatures, though obviously wolves can be big “pack” animals, I feel like there’s a quiet “loner” side that is easy to relate to as well. Color also plays a huge role in my process. I’m a huge fan of color, and I love playing with it in spots that you may not usually find it- like if something is supposed to appear black or in shadow, in nature if you really look at something that appears black, it actually consists of so many other colors. I think that’s half of the fun when creating these pieces, finding things that you wouldn’t usual see at first glance, but somehow makes it all work. It allows the viewer to really observe, search for, and discover something, creating their own connection to the piece, which is really my goal.

Who were the watercolor artists who inspired you most?

Though I haven’t seen many watercolors by him, Cy Twombly is a huge one….I even nerded out to the point of naming my cat after him. At first I never really understood his work, but that’s what made me fall in love with it. He seemed to be purely about color and placement. Things don’t have to make sense in his pieces but they certainly convey something. Lora Zombie’s works really helped to inspire me in taking on watercolor. Her pieces are super fun and edgy, usually consisting of pop culture subjects. And she’s never afraid to make a mess when it comes to watercolor. There is also a ton of talent in my personal tribe and local community that is super inspirational. I’m extremely lucky and thankful to have so many talented friends who influence and inspire my work as well. Its great to be able to bounce ideas back and forth, get feedback and to really be able to be completely supported and vulnerable with these fellow humans. That kind of connection is important.

What are you working on now?

I’m currently gearing up for the Holiday freelance season, it’s always a super fun and creative time. There are a few pieces that I have in mind that will need to be put on canvas soon (and possibly t-shirts!), so be on the look out for those! There are also some pretty exciting things that are being balanced with the freelance painting as well – my family recently started the On the Roll Inc, Food Truck, which has kept us all very busy and excited! I am thankful to be apart of that endeavor. I am also currently planning out the holiday display at Philter Coffee. Its always a fun process and its nice to take a shot at 3D work between paintings. So I’m super excited to see what we’ll come up with next!

People of Kennett Square–Caroline Roosevelt

May 9, 2018 art, artist, columnist, interview, Kennett Square, kennettsquare, painter, painting, people, photography, portrait, project, Story, street, Uncategorized

Meet Caroline, artist, art writer, event maker.

How do you introduce yourself?

Caroline Roosevelt.

How did you find yourself in the art world and decide to stay?

My passion has always orbited around art. As I child, I started drawing and was encouraged to do so by my mother (who is an artist!) I excelled at art in high school, entering and placing in competitions, and studied studio art and art history at Connecticut College. After graduating, I moved to Philadelphia and attended Pennsylvania Academy of Fine Arts where I continued to suss out what I’m trying to do with my art. As an adult, I continue to pursue artistic endeavors while also engaging the community. I write an art column for Chadds Ford Live and Chester County Press called Mixed Media, and have been enjoying that since November. I still create my own work, and sell my cards at worKS, as well as participate in community art events. I recently established a Pop Up Arts committee dedicated to uplifting the arts in the Kennett area through Pop Up Events. It seems that, no matter where I go, art follows me and I’m realizing that’s not a coincidence.

What are you working on right now? How did the project come to you?

Right now I’m working on a few paintings for the Evening of The Arts. I’m looking to expand into some more fauvist styles of painting. I have also just learned how to frame my own work, so I’m practicing that as well.

We also have a Pop UP Art event in Kennett Square on June 1st so, stay tuned for more info!

Why did you decide to move to Kennett square?

I am originally from the area. After living in dense metropolitan areas for 10 years, I was ready to slow down a little bit and recalibrate, and that landed me back in Kennett which has been a really fantastic thing for me. I work for the Kennett Township, and participate in community events in the borough as well. I love this community!

What do you like most about Kennett Square?

I love how Kennett has grown into itself in the past ten years. It’s changed from a sleepy agricultural town, to a lively community full of artists and entrepreneurs with big ideas. There will always be a part of the community that will long for the past, and challenge ingenuity, but overall, I see Kennett as receptive to change while still respecting its roots, and that’s one of the most attractive things about this town.

People of Kennett Square–Ellen Catanzaro

November 23, 2016 abstract, art, artist, interior design, interview, painter, painting, people, Story

Ellen is an artist who works with designers and their clients to create custom art.

What is your earliest memory of creating art?

My first memory of creating art was when I was in Kindergarten. I don’t remember the details, but I made a little cat sculpture out of (and this is going to date me) the little wax bottles that had colored sugar water in them…like little soda bottles…Well, I formed a little cat out of the wax, and I remember my teacher, Miss Kathy, put it on display and made a big deal about it to my mother.

Why did you choose acrylic as your medium?

When I first started painting, my children were little. I needed a medium that dried quick, cleaned up easily, and did not smell toxic. Now that they are older, and I have more time, maybe I will experiment with other media.

What is your creative process like?

There are two different versions of my creative process…but, since I paint on wood, they both start with a trip to the Home Depot. I pick out a nice piece of Birch plywood, have it cut to size, then purchase 1 x 1’s to build out a frame. There is glueing, nailing and sanding that follows! Then I get to work!

When I paint for the sake of creating…anything can inspire me…a photo, the sky, my pets, even just a color I see that day can trigger the creative process. I try to have canvases built….but if I don’t….I must make a run to the Home Depot…I build…and then I immerse myself in the painting. Nothing else gets done, and the world could be falling apart around me…I continue on. I really never know what I will create…I have a bit of an idea…but am always surprised when I am done.

When I am painting for a client…the process is a bit different. There is at least one, if not multiple conversations with the client (and their interior decorator if they are using one). I go to their home with some paintings I already have, so they can get a better feel for my style, and to determine size, color likes, dislikes…etc. I like get to know them (my paintings are like my babies…I want to make sure they are in good homes!). Once in their home, I get a sense of their style….do they want an abstract, more of a landscape….anything else that inspires them….what colors will work with their decor…etc. Once we decide on all that…..I make a trip to the Home Depot…and the process begins!!!

What’s been your greatest artistic success?

I consider every time someone says they love my work, to be a great artistic success!

Do you ever experience creative blocks?

Yes! I find that if I think too much about how the piece should look…I hit a wall. When I just let me gut guide me, I am always pleasantly surprised!

You can check Ellen’s work here: http://www.houzz.com/projects/1805959/ellen-catanzaro-custom-art

People of Kennett Square-Lele Galer

May 16, 2016 art, artist, life, painting, people, photography, portrait, Story

Meet Lele– the multi-talented artist. She is a painter, sculptor, writer. She also own and run a local winery Galer Estate Vineyard & Winery in Kennett Square.

How and when did you first become seriously interested in art?

I was raised around art and went to art museums and galleries since I could walk (that is the same for my children too). Studio art always came very naturally to me and I received a lot of attention for it, so I wasn’t very interested in it, but I was always serious about art history. I started college as a passionate art history major, until one day I had a conversation with a friend about Klimt, that made me rethink how I was learning about art… I had been dissecting and memorizing. All the over-intellectualization of the art had pulled me away from the ability to see..and I’d forgotten what had drawn me to art history it in the first place. I am very passionate about art history now, but it is personalized by knowing how to see and how to be moved to see in a new way. I still today read tons of art history books, but not to memorize the facts, but instead just to understand things better. The breadth and history and presence of artistic creativity is very exciting to me…it is a shared sizzling current that runs through everyone and through time.

I started a serious interest in art education and public art when my sons were little. I used my art ability to enable me to be in the schools with my children..and one thing led to another – I fell in love with working with the kids in the schools, all ages ranging from pre-school to high school. I found excitement and much joy in teaching art history or art appreciation as well as public art. I still run a big school art appreciation program that I love, but I shy away from public art now (after 60+ projects now in Seattle, Westchester NY and Chester County). Public art is a great thing when done with the right intentions. When people come together to make an art piece for their classroom, school, or community, it is fun and creative and pretty of course, but they like leaving a little piece of themselves in the artwork that they remember. This is part of giving back to the world around them. Very cool..and but also extremely time and labor intensive.

About 2005 I started running art shows, and began taking classes, just for me, to see if I still had any sort of a gift left. The combination of having art show deadlines and falling back in love with the medium, got me seriously interested in making art- really for the first time in my life.

What do you think is the most important influence in your painting?

No particular place, person or thing… I am influenced by looking -I am constantly looking at paintings and other pieces of art, including functional art such as furniture. When I am drawn to one, I try to figure out both how the artist does what they do, and what specifically draws me to a particular piece. “Looking” is a constant sifting through of visual edits, a lot goes in the discard pile, and the rest is organized and reshuffled for color, mood, something interesting, and relationships to things like time, history, my work or another artist’s work. The more I see, the more I learn about the art form and about why I am a painter. I am almost 55 and I still struggle with the idea of being an artist with a specific voice…what am I working towards in the art piece; where to edit and where to pile it on; there are always questions and challenges in every piece. I definitely would not paint or sculpt if there were no challenges. To have an original voice is both a difficult and an interesting journey.

In college, my end of the year art history paper had to be on a contemporary piece in the Hartford Museum, and I decided to pick something I absolutely hated just as a test to see if I would like it any better after I learned about it. I picked Franz Kline, who I thought was rubbish, and after working through it -he is one of my favorites. I definitely appreciate things more if there is a struggle involved.

I guess the biggest art influence was at Berkeley when an art teacher showed me how to bleed out a line and morph it into more painting than drawing. That was the first time I really painted (real painting, not filling with color), and I never went back to drawing after that. I also only did black and white, no color, until my mid-twenties. That is why my colors are so charged up now; I feel the need to punch them up to give me the same strength of feeling that I got from using black and white. I am trying to tone my color down now, but that is hard, which makes it interesting.. but toning it down is definitely not easy for me. I might go back to black and white.

Can you talk a little bit about your first sculpture?

Wow. That was fun – talk about an electric current. I had never done 3-D, and decided to take the plunge at Stan Smokler’s workshop one summer. It was an instant pure jolt of fun that had no layers of experience tied to it. I was mesmerized by the details, the metal bits and making a thing that was fully round. The first piece was a column made of sinewy found bits that worked their way up to make a whole. It was heavy and it sold immediately. Most of my pieces are abstract combinations of “bound” and unbound” elements. I am drawn to the idea of energy all bundled up and the thrill of being freed. Right now I am trying to learn more about the medium, rather than just be expressive. That involves a lot more grinding and busy work and is less appealing to me than the spontaneity of creating a sculptural piece…but I owe it to the medium to learn more about it. The more I learn about working with steel, the better I can realize the ideas I have..I hope so anyhow. But grinding is a bore and chips away at the little individualistic bits that I like…just like me trying to tone down color in my paintings, I’m not sure tidying up my metal work and making the welds smooth is very “me”, but I am interested in figuring that out.

Do you work certain hours each day or only when you are inspired to work?

I only work when I have a show or commission that is two weeks away or less. I keep hoping that I will schedule art every day, but I don’t. Making art has to be exciting for me, or I will do something else that is. The deadline makes it more exciting and pushes me to finished works as opposed to a lot of exploratory scribbling.

You are painter, sculptor, writer, and also run a winery in Kennett Square, how do you balance work and life?

Well, I don’t know how to relax, so as long as I am busy doing interesting things, then I am very happy. My husband and sons help keep me balanced, and art helps to shake things up.

Check Lele’s work here: http://www.lelegaler.com/

People Of Kennett Square–Beth Secor

November 30, 2015 art, artist, farm, life, painting, people, photography, portrait, Story

My daughter took a drawing and painting class at Y. After finished the classes, she showed me her paintings, I was amazed by her work and the way the teacher was teaching. I had a chance to meet the teacher–Beth, an artist who loves doing animals portraits and teaching art to children. I went to her house, she showed me all the fun things in her studio , and activities at the farm. I felt her love of animals , and passion for painting and teaching.

1.What’s your life like when you were a kid?

We had a Ton of fun,brought up on a 99 acre horse farm with horses and dogs and a lot of people.We worked hard on ponies and horses to re sell,or train for other people.My mother was a big hearted free spirit who stressed honesty and to treat other people the way you want to be treated.We got up early and worked hard,then got to do fun active activities all together with out many rules,but you gave it your all in spirit!

2.When and how did you start painting?

I always doodled and loved looking at Art…When I was 16,I had a serious back operation,they said no riding horses for a while!!!..That was my life,Mom said ..whow what are you going to do…I thought if she doesn’t know..it is up to me..I said I’m going to Art School,,,,where one door shuts another one opens!!!My Art has given me so much pleasure and others!!

3. Why do you like to paint animals?

I LOVE animals and feel I intrinsically..intuitively..connect to them,so to paint them enhances these feelings,plus it is a challenge!! I like being able to paint peoples animals so they have a piece of the love forever,it is such a deep feeling…I love painting them!!!!!!

4.What animal do you like most? why?

Horses and Dogs and Big lions….They are free,,atheletic and pick who they trust,then are very loyal..and the partnership grows!!

5.Can you talk a little bit about your last trip to Africa?

My last trip to Africa was magical,I did a lot of sketching..being outside in nature focusing on such beauty of the land the animals and my connection with them was surreal…I wrote in my book…I am revolving with the Universe..which was all beauty and possibility for me!!! I felt totally centered and as if the Dear Lord was whispering in my ear,I’m Proud of you Beth,I do well with those Real Feelings,,I can’t wait to go back!!!

You can check Beth’s work here: http://www.bethsecor.com/