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I wrote an email to Bob about the photo shoot and interview. I also forwarded a link of my website.  He said “Sure – you do a good job with those!Funny but looking at the pictures, you did one on the steps of my studio.  I remember working away and hearing people talking on my step and peeked out the window and saw you taking a photo and thought nothing of it until I looked at your site. ” That was my first story of Humans of Kennett Square with Bridget. What a coincidence! At that time I didn’t know that’s his studio.

 

When did you first realize you are an artist? and how did you make your dream come true?

Back when I was an Engineer I remember walking to the Kennedy Center in DC with a man involved in arts management. He asked what I did and I said that I was an Engineer but wanted to be an artist someday. He exclaimed, ” if you are making art, you are an artist! ” I was kind of shocked and apologetic, hemming and hawing, saying” Not really.” But he wouldn’t let it die, and explained that most artists don’t make a living from their work and if you have that impulse that you have to make something then you are an artist. I guess I am rather fortunate that I do actually make my living this way now.

As for making the dream come true – no one is “discovered”-it takes a heck of a lot of hustle.

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What famous artists have influenced you and how? 

You saw my art books, I am a junkie for looking at art. I walk to lunch every day with an art book that I thumb through. So, the influences are wide, varied, and too countless to mention. There is a little to learn from everyone.

But, when all is said and done, you need to look like yourself.
 

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What inspires you to create art and how do you keep motivated when things get tough in the studio?

Hmmm… Geez, it is something that is so ingrained in me that it is tough not to think about it now. This is my passion so it is hard for me to step out of it. I try to keep way head of myself with ideas. There is nothing worse than staring at a blank canvas wondering what to do, so I don’t let myself get there . I have countless sketchbooks lying around in which I write down ideas continuously. That way, when I need a new one, I can just thumb through any of these books.


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What is it about still life that keeps you painting them and what are you working on at the moment? 

I’ve always loved still life. It lets me pick objects, set them up much like a sculptor, and then immortalize them on canvas. I like working with these placid models that will allow me to work with them hours on end painting from life.

 Presently I am working on a commission for a client of a bunch of balloon dogs lined up at a makeshift bar make of my crates. Often my work is kind of hard for me to explain but I think you took some photos of me in progress on this one!

How have you handle the business side of being an artist?
Out of necessity! I have 3 kids, 2 that are in college right now. So, I have to make it work. Many artists complain about the gallery system, and giving them so much money. For me, I have loved it and it has worked. I need as many people as possible helping me to get me work out there. Handing your career professionally goes a long way. Keep deadlines, have organized presentations, answer correspondence, etc… Artists are notoriously bad at that.
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What advice would you give to an artist just starting out?

Don’t neglect the business side. No matter how well crafted your work, it has to get out there and work hard at it.
 

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